{"id":3772,"date":"2025-10-10T11:42:25","date_gmt":"2025-10-10T09:42:25","guid":{"rendered":"https:\/\/www.kunstverein-arnsberg.de\/?p=3772"},"modified":"2025-11-20T23:40:21","modified_gmt":"2025-11-20T22:40:21","slug":"in-den-schichten-des-versteinerten-schweigens","status":"publish","type":"post","link":"https:\/\/www.kunstverein-arnsberg.de\/en\/2025\/10\/10\/in-den-schichten-des-versteinerten-schweigens\/","title":{"rendered":"Louis Braddock Clarke"},"content":{"rendered":"<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Louis Braddock Clarke<\/p>\n\n\n\n<p>Between the Layers of Petrified Silence<br><br>10. Oktober &#8211; 16. November 2025<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"1172\" height=\"1650\" src=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54.png\" alt=\"\" class=\"wp-image-3792\" style=\"border-style:none;border-width:0px;border-radius:0px\" srcset=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54.png 1172w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54-213x300.png 213w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54-727x1024.png 727w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54-768x1081.png 768w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54-1091x1536.png 1091w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/09\/Screenshot-2025-09-24-at-18.05.54-9x12.png 9w\" sizes=\"(max-width: 1172px) 100vw, 1172px\" \/><\/figure>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Opening: October 10, 2025, 5:00 p.m.<br>K\u00fcnstlergespr\u00e4ch: 16. November 2025, 18:30 Uhr<br>Lichthaus Arnsberg<\/p>\n\n\n\n<p class=\" translation-block\">Kunstverein Arnsberg presents Between the Layers of Petrified Silence, the first solo exhibition in Germany by British artist Louis Braddock Clarke. Developed specifically for Lichthaus Arnsberg, the works combine geology, sound, technology, and speculative research. In collaboration with scientists from meteorology, acoustics, geology, and computer science, Braddock Clarke creates artistic research projects that render the invisible and inaudible dimensions of our environment tangible.<\/p>\n\n\n\n<p>At the core of the exhibition is the newly produced two-channel multimedia installation, \u201cGems in Metal\u201d (2025), consisting of FACE 001 and FACE 002. In geological practice, the term \u201cface\u201d refers to an exposed surface, a pit wall, or a crystal plane where direct observations, extractions, or mapping take place. \u201cGems in Metal\u201d adopts this terminology to define FACE 001 and FACE 002 as two interpretive \u201cfaces\u201d of the same work. FACE001 makes infrasound \u2013 low-frequency sound waves generated by industrial processes, mining explosions, or tectonic activities \u2013 physically perceptible. A floating stone plate is transformed into a vibrating resonant body through transducer systems and subwoofers.<br><br>Visitors experience the \u201csound of the Earth\u201d not with their ears but through their bodies. The work is based on a multi-year collaboration with meteorologists and acousticians at the Royal Netherlands Meteorological Institute (KNMI), who developed new methods for capturing infrasound. Fossilised whale ear bones form fragile resonators within the work: once organs of infrasound communication, they reappear in the installation as permeable listening chambers that place today\u2019s Earth landscapes in a deeper resonance.<\/p>\n\n\n\n<p>FACE002 employs machine vision, AI-driven algorithms, and geological data archives. On a custom-built 16:9 LED matrix with more than 2,000 LEDs, Two distinct analytical procedures scan thin sections from mining archives: The two algorithms operate in parallel: one replicates industrial techniques for ore detection, while the other searches for anomalies, patterns, and forms that defy quantification, embracing the phenomenon of pareidolia, where viewers find symbolic shapes in ambiguous stimuli. The work was developed in close collaboration with TU Delft, the Earth Simulation Lab at Utrecht University, and the Naturalis Biodiversity Center in Leiden, which houses one of Europe\u2019s largest collections of geological thin sections.<\/p>\n\n\n\n<p>An eight-channel sound composition, generated from geological data, seismic equations, and infrasound patterns, interlaces both installations and transforms the Lichthaus into an immersive resonant space. The installation unfolds as a dual-channel dialogue, where methods of cinema and geology are fused and stretched into deep time: the age of the Earth, 4.543 billion years, is translated into a 45.43-minute film.<\/p>\n\n\n\n<p>With this exhibition, Braddock Clarke bridges local history and global research: the mining traditions of the Arnsberg region become part of a broader reflection on extraction, technological speculation, and ecological transformation. His works propose a counter-practice to extractivism: listening instead of exploiting, resonance instead of appropriation.<\/p>\n\n\n\n<p class=\" translation-block\">Louis Braddock Clarke is an artist and researcher who interweaves concepts from geology, deep-time cinema, and speculative philosophy. Listening and amplification have become key methods in his work on disrupted ecosystems. His works have been shown internationally at Rencontres Paris\/Berlin, SeeyouSound, Venice Biennale Musica, Sonic Acts, Rewire, NTMoFA, Noorderlicht Biennale, Sounds of Silence, Netherlands Film Festival, FILE Brazil, Digital Arts Taipei, Macau Design Museum, MU Hybrid Art House, W139, OT301, Quartair, Stroom, Museum of Mines and Metal Brazil, WEST Museum, Het Hem, among others.<\/p>\n\n\n\n<p class=\" translation-block\">The project is curated by Yannik Gu\u0308ldner. He is a self-taught curator and programmer. His research focuses on the intersections between contemporary and popular culture. Alongside his freelance work, he currently leads the artistic development of the artist collective iii (instrument inventors initiative). iii is an artist-run community platform supporting new interdisciplinary artistic practices that connect performance, technology, and the human senses.<\/p>\n\n\n\n<p><strong>iii \u2013 instrument inventors initiative:<\/strong><br>iii is an artist-led community platform that promotes new interdisciplinary practices that connect performance, technology, and the human senses. Emerging from the ArtScience tradition in The Hague, iii strives to reconcile technological innovation, theoretical reflection, and human experience. iii contributes to international developments in the fields of art, science, and technology, functioning both as a cultural incubator that supports research and creation and as an agency that connects creators with a broad audience through a wide (inter)national network of partners.<\/p>\n\n\n\n<p>Between the Layers of Petrified Silence was realized by Kunstverein Arnsberg in collaboration with iii \u2013 instrument inventors initiative (The Hague) and the City of Arnsberg, with support from Medienwerk NRW. The exhibition is sponsored by the Ministry of Culture and Science of the State of North Rhine-Westphalia.&nbsp;<\/p>\n\n\n\n<p>For further information and press material, please contact: Carola Uehlken, carolauehlken@gmail.com <a href=\"mailto:carolauehlken@gmail.com\">carolauehlken@gmail.com<\/a><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-1024x683.jpg\" alt=\"\" class=\"wp-image-3817\" style=\"width:864px;height:auto\" srcset=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-1024x683.jpg 1024w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-300x200.jpg 300w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-768x512.jpg 768w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-1536x1024.jpg 1536w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-2048x1365.jpg 2048w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5427_28_29_30_31_32_33_Realistisch.2-18x12.jpg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column has-global-padding is-layout-constrained wp-block-column-is-layout-constrained\" style=\"flex-basis:800px\">\n<figure 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srcset=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-scaled.jpg 2560w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-300x200.jpg 300w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-1024x683.jpg 1024w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-768x512.jpg 768w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-1536x1024.jpg 1536w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-2048x1365.jpg 2048w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/0Q2A5539_40_41_42_43_44_451_Realistisch.2-18x12.jpg 18w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-1024x683.jpg\" alt=\"\" class=\"wp-image-3816\" style=\"width:864px;height:auto\" srcset=\"https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-1024x683.jpg 1024w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-300x200.jpg 300w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-768x512.jpg 768w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-1536x1024.jpg 1536w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-2048x1365.jpg 2048w, https:\/\/www.kunstverein-arnsberg.de\/wp-content\/uploads\/2025\/10\/DSC09375.2-18x12.jpg 18w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Louis Braddock Clarke In den Schichten des versteinerten Schweigens 10. Oktober &#8211; 16. November 2025 Er\u00f6ffnung: 10. Oktober 2025, 17:00 UhrK\u00fcnstlergespr\u00e4ch: 16. November 2025, 18:30 UhrLichthaus Arnsberg Der Kunstverein Arnsberg zeigt mit Between the Layers of Petrified Silence (\u201cIn den Schichten des versteinerten Schweigen\u201d) die erste Einzelausstellung des britischen K\u00fcnstlers Louis Braddock Clarke in Deutschland. [&hellip;]<\/p>","protected":false},"author":5,"featured_media":3771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,32],"tags":[],"_links":{"self":[{"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/posts\/3772"}],"collection":[{"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/comments?post=3772"}],"version-history":[{"count":13,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/posts\/3772\/revisions"}],"predecessor-version":[{"id":3844,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/posts\/3772\/revisions\/3844"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/media\/3771"}],"wp:attachment":[{"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/media?parent=3772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/categories?post=3772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kunstverein-arnsberg.de\/en\/wp-json\/wp\/v2\/tags?post=3772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}